FujiFilm GFX

The world’s highest level of photographic image quality in any mirrorless camera body. The GFX and image design technology cultivated by Fujifilm’s 80+ year history.  It is a system that is changing the landscape of the future of high end capture.

©FujiFilm GFX image courtesy of FujiFilm

Key Benefits

  • 50 and 102 MP BSI CMOS Sensor
  • ISO for 50-102,400
  • UHD and DCI 4K Video Recording
  • Sensor-Shift Image Stabilization
  • 3.76m-Point Autofocus System
  • Small and lightweight

Why It Matters To Us…

GFX 100 is not only reshaping how images are being made, but it is also redefining large format for the world’s next generation of image makers.

GFX 100 raises the bar in large format auto-focus performance, being one of the first large format systems to have in-body stabilization, and providing filmmakers with a way to push the limits of wide format 4K/30p motion capture.

GFX 50 S offers many of the same features in a 50 MP compact solution.

GFX 50 R is the very first mirrorless, medium format systems in a range finder.

GF lenses from ultra wide 23mm to 250mm telephoto with an optional 1.4x converter.

©Image courtesy of FujiFilm

Meet The FujiFilm GFX Family

fujifilm gfx 100s

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GFX100S is a new generation of large format digital camera, designed to suit a new generation of creators. The 102MP back-illuminated CMOS sensor combines with the X-Processor 4 quad-core CPU to deliver images of astonishing quality and professional 4K/30p video.

The camera’s five-axis In-Body Image Stabilization provides up to 6 stops of vibration reduction, while phase detection autofocus pixels, covering nearly 100% of the frame, work at speeds of up to 0.16 sec in light as low as -5.5EV.

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The GFX 50S II  is a unique medium format mirrorless camera that is wonderfully compact and portable. Featuring a 51.4MP CMOS sensor paired with an improved X-Processor 4 image processor, this camera produces files with extremely wide dynamic range and high resolution, as well as having an extended sensitivity range of ISO 50-102400 for working in difficult lighting conditions. The sensor’s large form factor also achieves a unique three-dimensional look with especially smooth tonal and color transitions.

The GFX 50S II has also been updated with a five-axis in-body image stabilization system that negates up to 6.5 stops of camera shake for improved handheld shooting, providing dramatically broad creative possibilities for image makers wanting to work more freely with slower shutter speeds.

 

 

fujifilm gfx 50R

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FUJIFILM has continued to develop and manufacture medium format film cameras. The priority has always been to achieve premium image quality. The GFX 50R is a rangefinder style, which has been reborn through the history of medium format cameras. Just like medium format film cameras in the past, the GFX 50R has been developed in pursuit of a compact and lightweight system while delivering the ultimate picture quality for everyday snapshots and street photography. This new model expands the potential for the GFX system and makes medium format output even more accessible.

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The GFX, FUJIFILM’s mirrorless digital camera system, has achieved the highest level of image quality in the world of professional photography. The system continues its evolution…

The GFX100 uses a 55mm diagonal length large format CMOS sensor with over 100 million pixels which makes this the highest class resolution mirrorless digital camera ever produced. The GFX100, is the coming together of FUJIFILM’s unique blend of imaging and optical technologies and heralds the future of photography for the years to come.

Table 1     
GFX 100GFX 100SGFX 50S IIGFX 50R
Number of Effective Pixels Image Sensor102 million pixels
102 million pixels51.4 million pixels
51.4 million pixels
File FormatJPEG (Exif Ver.2.3) 
RAW: 14bit / 16bit RAW (RAF original format) 
8-bit /16-bit (10-bit output in 16bit file) TIFF (In-camera Raw Conversion Only)DCF Compliant with Design rule for Camera File system (DCF2.0)
JPEG Exif Ver.2.32 *2
RAW 16bit / 14bit RAW (RAF original format)
TIFF 8bit / 16bit RGB (In-camera Raw Conversion Only)
DCF Compliant with Design rule for Camera File system (DCF2.0)
JPEG Exif Ver.2.32*2
RAW 14bit RAW (RAF original format)
TIFF 8bit / 16bit RGB (In-camera Raw Conversion Only)
JPEG (Exif Ver.2.3)
 RAW: 14bit / 16bit RAW (RAF original format) 
8-bit /16-bit (10-bit output in 16bit file) TIFF (In-camera Raw Conversion Only)
Number of Recorded Pixels[L] <4:3> 11648×8736

[M] <4:3> 8256×6192
[S] <4:3> 4000×3000
[L] <4:3> 11648×8736

[M] <4:3> 8256×6192
[S] <4:3> 4000×3000
[L] <4:3> 8256×6192
[S] <4:3> 4000×3000
[L] <4:3> 8256×6192
[S] <4:3> 4000×3000
SensitivityStandard Output AUTO1/AUTO2/AUTO3 (up to ISO 12800) / ISO 100-12800 (1/3 step) Extended Output ISO 50 / 25600 / 51200 / 102400Standard Output: AUTO1 / AUTO2 / AUTO3 / ISO100~12800 (1/3 step)
Extended Output: ISO50 / ISO25600 / ISO51200 / ISO102400
Still Image Standard Output: AUTO1 / AUTO2 / AUTO3 / ISO100~12800 (1/3 step)
Extended Output: ISO50 / ISO25600 / ISO51200 / ISO102400
Movie Standard Output: AUTO / ISO200~6400 (1/3 step)
Standard Output AUTO1/AUTO2/AUTO3 (up to ISO 12800) / ISO 100-12800 (1/3 step) Extended Output ISO 50 / 25600 / 51200 / 102400
Image StabilizerImage sensor shift mechanism with 5-axis compensation 5.5 stops*1*2 Mechanism Image sensor shift mechanism with 5-axis compensation Mechanism Image sensor shift mechanism with 5-axis compensationSupported with OIS type lenses
Continuous ShootingCH Approx. 5.0fps, CL Approx. 2.0fps

CH Electronic shutter 2.9fps CH Electronic Front Curtain Shutter Approx. 2.2fps Approx. 3.0fps
AF TypeIntelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) Intelligent Hybrid AF (TTL contrast AF / TTL phase detection AF)TTL Contrast AFTTL Contrast AF
LCD Monitor/EVF Viewfinder3.2 inch, Aspect Ratio 4:3, Approx. 2.36 million dots Tilt-Type (Three Direction), Touch Screen Color LCD Monitor, 5.7 Million Dot EVF 3.2 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor
Aspect Ratio: 4:3
Dots: Approx. 2.36 million dots
3.2 inch Tilt-Type(Three Direction) Touch Screen Color LCD Monitor
Aspect Ratio: 4:3
Dots: Approx. 2.36 million dots
3.2 inch, Aspect Ratio 4:3, Approx. 2.36 million dots Tilt-Type (Three Direction), Touch Screen Color LCD Monitor, 3.69 Million Dot EVF
Sub LCD Monitor
1.80 inch, Aspect Ratio 4:3, 303×230-dot Monochrome LCD Monitor 1.80 inch Monochrome LCD Monitor
Aspect Ratio: 4:3
Dots: 303x230-dot
1.80 inch Monochrome LCD Monitor
Aspect Ratio: 4:3
Dots: 303x230-dot
Rear Sub Monitor
2.05 inch, Aspect Ratio 4:1, 256×64-dot Monochrome OLED Monitor
Movie File Format
MOV (MPEG-4 AVC / H.264, HEVC / H.265, Audio: Linear PCM / Stereo sound 24bit / 48KHz sampling) MOV:
HEVC/H.265, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)

MP4:
MPEG-4 AVC/H.264, AAC
MOV:
MPEG-4 AVC/H.264, Linear PCM (Stereo sound 24bit / 48KHz sampling)
MOV (MPEG-4 AVC / H.264, Audio: Linear PCM / Stereo sound 48KHz sampling)
Movie Recording
[DCI4K / 4K] 29.97p / 25p / 24p / 23.98p,
[Full HD] 59.94p / 50p / 29.97p / 25p / 24p / 23.98p[DCI4K / 4K] 29.97p / 25p / 24p / 23.98p,
[Full HD] 59.94p / 50p / 29.97p / 25p / 24p / 23.98pFull HD] 29.97p / 25p / 24p / 23.98p [HD] 29.97p / 25p / 24p / 23.98pFull HD] 29.97p / 25p / 24p / 23.98p [HD] 29.97p / 25p / 24p / 23.98p
Wireless Transmitter
IEEE802.11a/b/g/n/ac (standard wireless protocol)
IEEE802.11b/g/n (standard wireless protocol) IEEE802.11b/g/n (standard wireless protocol)IEEE 802.11b/g/n (standard wireless protocol)
Bluetooth®
Bluetooth Ver. 4.2 (Bluetooth low energy)Bluetooth Ver. 4.2 (Bluetooth low energy)Bluetooth Ver. 4.2 (Bluetooth low energy)Bluetooth Ver. 4.2 (Bluetooth low energy)
Digital InterfaceUSB Type-C (USB3.2 Gen1×1)USB Type-C (USB3.2 Gen1x1)USB Type-C (USB3.2 Gen1x1)USB Type-C (USB3.1 Gen1)

HDMI Output HDMI Micro connector (Type D)HDMI Micro connector (Type D)HDMI Micro connector (Type D)HDMI Micro connector (Type D)
Other Interface
ø3.5mm, stereo mini connector (Microphone)
ø3.5mm, stereo mini connector (Headphone)
ø2.5mm, Remote Release Connector
DC IN 15V Connecter *Compatible with AC-15V (Optional) Only Hot shoe
Synchronized terminal
ø3.5mm, stereo mini connector (Microphone)
ø3.5mm, stereo mini connector (Headphone)
ø2.5mm, Remote Release Connector
Hot shoe
Synchronized terninal
ø3.5mm, stereo mini connector (Microphone)
ø3.5mm, stereo mini connector (Headphone)
ø2.5mm, Remote Release Connector
Hot shoe
Synchronized terninal
ø2.5mm, Remote Release Connector
DC IN 15V Connecter *Compatible with AC-15V (Optional) Only Hot shoe
Synchronized terminal
Power Supply

NP-T125 (x2) Li-on battery (included)NP-W235 Li-ion battery (included)NP-W235 Li-ion battery (included)NP-T125 Li-ion battery (included)

Battery Life for Still Images

Approx. 800 frames *(2 Batteries installed Auto power save ON)Normal Mode: Approx. 460 frames
*When GF63mmF2.8 R WR is set
Normal Mode: Approx. 455 frames
*Auto power save ON
*When GF63mmF2.8 R WR is set
Approx. 400 frames *(Auto power save ON)
USB Power Supply

Support USB PD*(Power Delivery) power source to supply or rapidly recharge battery

©Fujifilm

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