FujiFilm GFX

The world’s highest level of photographic image quality in any mirrorless camera body. The GFX and image design technology cultivated by Fujifilm’s 80+ year history.  It is a system that is changing the landscape of the future of high end capture.

©FujiFilm GFX image courtesy of FujiFilm

Key Benefits

  • 50 and 102 MP BSI CMOS Sensor
  • ISO for 50-102,400
  • UHD and DCI 4K Video Recording
  • Sensor-Shift Image Stabilization
  • 3.76m-Point Autofocus System
  • Small and lightweight

Why It Matters To Us…

GFX 100 is not only reshaping how images are being made, but it is also redefining large format for the world’s next generation of image makers.

GFX 100 raises the bar in large format auto-focus performance, being one of the first large format systems to have in-body stabilization, and providing filmmakers with a way to push the limits of wide format 4K/30p motion capture.

GFX 50 S offers many of the same features in a 50 MP compact solution.

GFX 50 R is the very first mirrorless, medium format systems in a range finder.

GF lenses from ultra wide 23mm to 250mm telephoto with an optional 1.4x converter.

©Image courtesy of FujiFilm

Meet The FujiFilm GFX Family

The GFX, FUJIFILM’s mirrorless digital camera system, has achieved the highest level of image quality in the world of professional photography. The system continues its evolution…

The GFX100 uses a 55mm diagonal length large format CMOS sensor with over 100 million pixels which makes this the highest class resolution mirrorless digital camera ever produced. The GFX100, is the coming together of FUJIFILM’s unique blend of imaging and optical technologies and heralds the future of photography for the years to come.

The FUJIFILM GFX 50S delivers the world’s best image quality. It combines outstanding resolution of 51.4 megapixels with exceptional tones, advanced color reproduction and high-performance lenses. This level of image quality is purely motivational. The world around you changes the moment you hold this camera in your hand. Appreciate all that can be achieved with Fujifilm’s new medium format mirrorless camera system, GFX.

FUJIFILM has continued to develop and manufacture medium format film cameras. The priority has always been to achieve premium image quality. The GFX 50R is a rangefinder style, which has been reborn through the history of medium format cameras. Just like medium format film cameras in the past, the GFX 50R has been developed in pursuit of a compact and lightweight system while delivering the ultimate picture quality for everyday snapshots and street photography. This new model expands the potential for the GFX system and makes medium format output even more accessible.

FujiFilm GFX 100

Despite featuring a sensor which is 1.7 times larger than a 35mm full frame sensor, the GFX100’s body is equivalent to that of a flagship 35mm full frame DSLR camera in terms of dimensions (156.2mm (W) x 163.6mm (H) x 102.9mm (D), measuring 48.9mm at the thinnest part) and weight (approx. 1400g including two batteries, memory card and EVF).

FujiFilm GFX 50s

FUJIFILM GFX 50S overturns common perceptions of traditional medium format digital cameras with a small, lightweight body made of magnesium alloy and equipped with an ultra-high definition detachable EVF adopting a 3.69M-dot organic EL panel.

 

FujiFilm GFX 50

Just like medium format film cameras in the past, the FUJIFILM GFX 50R has been developed in pursuit of a compact and lightweight system while delivering the ultimate picture quality for everyday snapshots and street photography. This new model expands the potential for the GFX system and makes medium format output even more accessible.

Table 1      
GFX 100GFX 50SGFX 50R
Number of Effective Pixels Image Sensor102 million pixels
51.4 million pixels
51.4 million pixels
File FormatJPEG (Exif Ver.2.3) 
RAW: 14bit / 16bit RAW (RAF original format) 
8-bit /16-bit (10-bit output in 16bit file) TIFF (In-camera Raw Conversion Only)JPEG (Exif Ver.2.3) 
RAW: 14bit / 16bit RAW (RAF original format)
 8-bit /16-bit (10-bit output in 16bit file) TIFF (In-camera Raw Conversion Only)JPEG (Exif Ver.2.3)
 RAW: 14bit / 16bit RAW (RAF original format) 
8-bit /16-bit (10-bit output in 16bit file) TIFF (In-camera Raw Conversion Only)
Number of Recorded Pixels[L] <4:3> 11648×8736

[M] <4:3> 8256×6192
[S] <4:3> 4000×3000
[L] <4:3> 8256×6192
[S] <4:3> 4000×3000
[L] <4:3> 8256×6192
[S] <4:3> 4000×3000
SensitivityStandard Output AUTO1/AUTO2/AUTO3 (up to ISO 12800) / ISO 100-12800 (1/3 step) Extended Output ISO 50 / 25600 / 51200 / 102400Standard Output AUTO1/AUTO2/AUTO3 (up to ISO 12800) / ISO 100-12800 (1/3 step) Extended Output ISO 50 / 25600 / 51200 / 102400Standard Output AUTO1/AUTO2/AUTO3 (up to ISO 12800) / ISO 100-12800 (1/3 step) Extended Output ISO 50 / 25600 / 51200 / 102400
Image StabilizerImage sensor shift mechanism with 5-axis compensation 5.5 stops*1*2Supported with OIS type lenses
Supported with OIS type lenses
Continuous ShootingCH Approx. 5.0fps, CL Approx. 2.0fps

Approx. 3.0fpsApprox. 3.0fps
AF TypeIntelligent Hybrid AF (TTL contrast AF / TTL phase detection AF) TTL Contrast AFTTL Contrast AF
LCD Monitor3.2 inch, Aspect Ratio 4:3, Approx. 2.36 million dots Tilt-Type (Three Direction), Touch Screen Color LCD Monitor3.2 inch, Aspect Ratio 4:3, Approx. 2.36 million dots Tilt-Type (Three Direction), Touch Screen Color LCD Monitor3.2 inch, Aspect Ratio 4:3, Approx. 2.36 million dots Tilt-Type (Three Direction), Touch Screen Color LCD Monitor
Sub LCD Monitor
1.80 inch, Aspect Ratio 4:3, 303×230-dot Monochrome LCD Monitor 1.28 inch, Aspect Ratio 1:1, 128×128-dot Monochrome LCD Monitor
Rear Sub Monitor
2.05 inch, Aspect Ratio 4:1, 256×64-dot Monochrome OLED Monitor
Movie File Format
MOV (MPEG-4 AVC / H.264, HEVC / H.265, Audio: Linear PCM / Stereo sound 24bit / 48KHz sampling)MOV (MPEG-4 AVC / H.264, Audio: Linear PCM / Stereo sound 48KHz sampling)MOV (MPEG-4 AVC / H.264, Audio: Linear PCM / Stereo sound 48KHz sampling)
Movie Recording
[DCI4K / 4K] 29.97p / 25p / 24p / 23.98p,
[Full HD] 59.94p / 50p / 29.97p / 25p / 24p / 23.98pFull HD] 29.97p / 25p / 24p / 23.98p [HD] 29.97p / 25p / 24p / 23.98pFull HD] 29.97p / 25p / 24p / 23.98p [HD] 29.97p / 25p / 24p / 23.98p
Wireless Transmitter
IEEE802.11a/b/g/n/ac (standard wireless protocol)
IEEE 802.11b/g/n (standard wireless protocol)IEEE 802.11b/g/n (standard wireless protocol)
Bluetooth®
Bluetooth Ver. 4.2 (Bluetooth low energy)Bluetooth Ver. 4.2 (Bluetooth low energy)
Digital InterfaceUSB Type-C (USB3.2 Gen1×1)USB3.0 (High-Speed) / micro USB terminalUSB Type-C (USB3.1 Gen1)

HDMI Output HDMI Micro connector (Type D)HDMI Micro connector (Type D)HDMI Micro connector (Type D)
Other Interface
ø3.5mm, stereo mini connector (Microphone)
ø3.5mm, stereo mini connector (Headphone)
ø2.5mm, Remote Release Connector
DC IN 15V Connecter *Compatible with AC-15V (Optional) Only Hot shoe
Synchronized terminal
ø3.5mm, stereo mini connector (Microphone)
ø3.5mm, stereo mini connector (Headphone)
ø2.5mm, Remote Release Connector
DC IN 15V Connecter *Compatible with AC-15V (Optional) Only Hot shoe
Synchronized terminal
ø2.5mm, Remote Release Connector
DC IN 15V Connecter *Compatible with AC-15V (Optional) Only Hot shoe
Synchronized terminal
Power Supply

NP-T125 (x2) Li-on battery (included)NP-T125 Li-ion battery (included)
NP-T125 Li-ion battery (included)

Battery Life for Still Images

Approx. 800 frames *(2 Batteries installed Auto power save ON)Approx. 400 frames *(Auto power save ON)Approx. 400 frames *(Auto power save ON)
USB Power Supply

Support USB PD*(Power Delivery) power source to supply or rapidly recharge battery

©Drew Altdoerffer; Phase One XF 100 MP Camera System

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